.jpg "apollo cloud album")
There’s a vast range of materials and processes in the show, from salt-paper to albumen prints, and including manipulated, fisheye, and panoramic photos. The photos in the exhibition were taken all over the world, including Russia, China, France, Italy, and Canada.
#Apollo cloud album archive
The exhibition is based on the Archive of Modern Conflict Collection, an organization founded in 1991 and dedicated to the collection and preservation of vernacular photographs, objects, artefacts, curiosities, and ephemera. “It was kind of an adventure in a way, to meet and discuss clouds with so many different people,” says Lebart, former director of the Canadian Photography Institute of the National Gallery of Canada and former director of collections for the Société française de photographie in Paris. From there, the curatorial process moved in all sorts of directions, the research involving meteorologists, collectors, artists, pilots, astronomers, weather forecasters, and photographers. Lebart says the ambitious project came about through conversations with Archive of Modern Conflict and Reid Shier, director of the Polygon Gallery, during which they discovered their shared passion for all things cumulus, stratus, and cirrus.
#Apollo cloud album professional
The album took on a life of its own, with professional and hobby photographers contributing to it this very piece is also part of the exhibition. During his lifetime (1851–1932), he spent more than 20 years studying cloud nomenclature and became the inaugural director of the Institut Royal Météorologique in Brussels. Ranging from the first cloud nomenclature proposed by British chemist and amateur meteorologist Luke Howard in 1803 to snapshots of cataclysmic mushroom clouds from atomic bomb tests to a striking image of a ferocious storm system taken from Apollo 9 in 1969, Cloud Album takes its name from a scientific album initiated by Belgian meteorologist Jean Vincent. Photography in a way has allowed us to make a collection of clouds.” In science, you have plants on shelves, but with clouds it has been impossible to catch them. “The forms are extraordinary, and I think their encounter with photography has been intense because photographs have a lot to do with collecting clouds in a way.
Clouds is undoubtedly one of the most fully-rounded releases of the year, shunning the cold grips of time as almost an hour of music floats by in an eased gorgeousness making it the one of the instrumental hip-hop album's to beat in 2011.“The subject is fascinating whether you’re three years old or older-there’s no age for appreciating clouds,” Lebart tells Stir via Zoom from her home base in Paris. And despite boasting so many tracks, not a single one feels out of place or particularly lacking. Most commonly tracks clock in at just over two minutes, resulting in a quickly paced listen its smoothly layered instrumentals gliding in and out to flawless transition.
One of Clouds' most impressive moments is on the ever-hypnotic "Balance", piloting UFO signaled electronics to a low, gelatin-like drum 'n bass.Īt a colossal 27 tracks thick, one may worry Clouds would suffer from its own length, though the opposite is true. On the sultry "Black Pearls", a waving trumpet glides in the air as orchestral lines sharply paint the melody, creating a mildly hallucinating effect. One of the best examples of this is on the aptly tiled "Father and Son", carrying life-lessening orchestration under stripped percussion and a spring-tuned piano line that folds gently in the distance. These are lyrics that perfectly depict the sounds heard throughout the album, and they range widely, but all encompass the core fundamental ideas of optimism, youth, and nostalgia. "Have you ever dreamed of a place / Faraway from it all / Where the air you breathe is soft and clean, and children play in fields of green", a soothing vocal croons on the opener "Sound of Guns". Right from the get-go Apollo wastes no time in painting us a picture of how he wants Clouds to sound. Where The Reset managed to successfully counterbalance tarnished and grime-exposed beats with soothing, pastoral instrumentals, Apollo Brown's latest album is flourished in the latter beautifully strung by blue-sky beats and sentimental instrumentation. Thus, until last year's The Reset, which escalated him to a considerable amount of acclaim throughout the blogosphere. Every year since, he's been releasing low-key beat albums to strictly underground audiences. Review Summary: Have you ever dreamed of a place / Faraway from it all / Where the air you breathe is soft and clean, and children play in fields of green.ĭetriot beatsmith Apollo Brown has been a busy man since his 2007 debut Skilled Trade.
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